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Ghosthustler: They're American



If you've read any type of music blog in the past year, you've already heard of Ghosthustler. I wasn't creaming my pants too hard about their early stuff, but I think their latest stuff seems to indicate that they're growing into well-produced, mature sound.

I think that they have a formula to become a band that's able to crossover and outgrow the incubator of blogville. They're pretty easy to BLURB about, like most musicians from Denton, and I just think that it's a sound that will be valued in 0.7 years by MTV and other entities who will be looking for more electro-edge beyond Chromeo. I think an undervalued part of their product might be the fact that they're American, and I can't think of many American groups who make music (mainly originals) this strong, unless you are into LA-based bangery DJs. Basically, if Ghosthustler makes an album with 8.5 songs that are half as strong as what they've already made, they'd have a pretty strong product to push on the growing post-Justice myspace market.

Another interesting note on Ghosthustler is their blogville entrance strategy. While many bands might have churned out a bunch of originals, and look to get remixed excessively for cross-banding purposes, Ghosthustler only has about 5 original songs to sample and judge. All of the songs are pretty strong, and each one has a sound that different types of electro-lovers could buy into.

Just for the sake of more HIPSTERRUNOFF analysis & commentary, I also think it's pretty interesting how GHOSTHUSTLER seemed to become 'the electroband that non-electroblog readers are allowed to like', since they were 'unearthed' by GorillaVsBlog and even covered by Pitchfork in their early days, when most acts in a similar position would have been considered a 'flash in the pan electroblog group who you shouldn't take very seriously.' (Not that I am too cool for GorillaVsBear since they are one of the only blogs that can actually justify what they post, but I just think that GVBRUNOFF is a powerful phenomenon that can change the way crappy blogs blog for 9 months, and especially what your d-bag acquaintances who 'absolutely love music' pretend to appreciate for the next 3 years).

I just think it's interesting how you could compare the sound of a Valerie band to Ghosthustler's latest stuff, but if you asked me whose ceiling was higher, I'd go with GHOSTHUSS. I just think they are a band that might have a sort of 'perfect storm' around them, when it comes to talent, accessibility, and clear, audible vocals over the right kind of electronic music. I suppose that's why I felt compelled to breakdown GHOSTHUSTLER's history, instead of the blurb + MP3 post.

Whatever though. "Some One Else's Ride" is good, so enjoy it.

[MP3]
Ghosthustler Some One Else's Ride

Myspace
http://www.myspace.com/ghosthustlerband

Comments

Anonymous's picture

this track is legit

Anonymous's picture

wasnt justice the electroband nonelectrofans were allowed to like?and what's up with talking about bands in the past tense once they've blogopeaked?

Nick's picture

i'd say justice is now the electroband no one is allowed to like

Robin's picture

nothing new in their sound, but cool

Anonymous's picture

ghosthustler is important because it is the first case where an american band has created an exact copy of the paris electro sound. france + american imitators vs australia music warrrrr

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