I enjoy blggng about 'new-ish' music videos in a recap-mega-post format because most 'made for youtube' era music videos are not newsworthy enough to blog abt by themselves, unless your music video is about coloured kids terrorizing a city.
Van She - "Changes"
Another video in the genre of 'tour diary where we showcase that our band is a group of sillie friends who are going through a meaningful experience on the road together' video. Other notable videos in this genre are the Strokes "Some Day", Phantom Planet's "California" and the 2008 summer anthem "Faith" by Limp Bizkit. All of these videos make me wish that I was able to experience fame, yet still maintain an appreciation for 'the small, trivial stuff' that makes us human.
RATATAT - "Flynn"
Here is a perfect video in the 'crappy/underwhelming college video art that your friend in art school who wants you to appreciate, but you know he did all of the work for it in the final 3 hours before deadline while under the unnecessary influence of adderal+marijuana' genre. Gotta love concepts that are 'appreciated' because they piggyback off a previous piece of media that most Americans can identify. <3
Paul Simon - "You Can Call Me Al"
This video reminds me of the first generation of Cool/Free Spirited BabyBoomer parents who tried to get their 7 year old kid to appreciate the social value of music by playing this 'masterfully crafted pop song' which is also about 'ending apartheid.' U CAN CALL ME AL was an overrated song, and I'd consider the video something that 'would have GONE VIRAL' if they had the internet back then. So since there wasn't the internet, we have to remember it forever when we should only remember it as 'the gimmicky video that Chevy Chase was in.' Did yall like The Graduate soundtrack? Was Chevy Chase's only good movie "National Lampoon's Vegas Vacation"? When will Chevy Chase have a Bill-Murray-like 'deep, indie' phase of his career?
Feist - "1-2-3-4" (Elmo Vs. Cookie Monster: Big Bird is a closet-homo REMIX)
In an effort to match Feist's royalty fees from her iPod nano commercial, the Sesame Street Workshop gave Leslie Feist the rights to 10% of Muppet creator Jim Henson's estate. BUT SRSLY...is educational entertainment 'important'/'justifiable' enough to turn your song into a pile of crappiness? Is this a secret advertisement for 'moms who have to watch Sesame Street with their kids and are considering buying some new CDs at Target + getting a fresh, new haircut with bangs"?
Plus... don't kids watch stuff like Yo Gabba Gabba/Dora The Lil Alt Explorer/other conceptual+homoerotic shows like the Teletubbies now because their cool parents want them to fit in?
Also, why isn't THE COUNT in this video? It would be kind of like making a Weezer video without including __________(easily identifiable gimmick).

Leslie Feist really has the energy in this 1-2-3-4 remix video to make every altbro wish that she was his free-spirited mom who drove a Volvo station wagon and made 'tasty yet healthy' dinners every night (note: she also packed the best smart snacks).
BUT SRSLY... is it okay to change the lyrics of your song for the sake of 'education,' but it's not okay to change your lyrics if U want 2 go outback 2nite?
Of Montreal - "Let's Go Outback Tonight"
This music video is way better than any deep Radiohead music video.
XX BONUS THOUGHT ON THE STATE OF MODERN EDUCATIONAL PROGRAMMING XX

Participating in educational shows/shows for kids that are pyramid schemes to get kids to buy apparel-that-features-creatures does not make u a public servant.
Yo Gabba Gabba is a pyramid scheme to unite alt-parents and kids under one lifestyle brand with the ultimate goal of 'buying crap with creatures on it.'
YO GABBA GABBA/Kid robot crap: so quirkily alt that kids & parents can wear it!


Burning questions:
If you are an alt-kid whose free-spirited parents make over $100K/year, does ur hair automatically turn curly?
Should there be a law against lifestyle brands that target kids under the age of 5?